It Begins…

Photography. One of my first passions! I still remember the moment I realized I wanted to be a photographer. In 7th grade, walking through the hallway to my next class mesmerized by the photos on the wall. I remember thinking, “That is what I want to do when I grow up!” Fast forward twenty-five years and here we are.

My late father was a hobbyist photographer, traveling the Western Great Lakes states capturing trains and railcars - He was also a serious model railroader. I traveled with him on many occasions, I vividly remember walking up and down the side of the tracks carrying his camera bag, and our snacks, listening to his stories about growing up on Lake Superior. These are some of my fondest memories that I cherish to this day.

At the ripe young age of nine, I was gifted my first camera - An I-Zone instant film camera! Yes, it was a simple toy but to me, it was my prized possession. I took photos of everything and used the film cartridges like they were free (much to my parent’s dismay). Soon my father recognized my passion was serious and growing. He presented me with his camera, a Minolta Maxxumm 400Si, and some lenses he purchased for it years before. I felt like I had won the lottery, and realized I had much to learn.

I worked through countless rolls of film, always eager to take them to the camera store to develop them and see the photos from that week’s adventure. At the time the only camera store in our area was a Wolf Camera, for those who remember way back when. I began learning more about photography and the process behind crafting images. Over the years, I stuck with it, eventually taking photography classes in college to expand my understanding of the art.

In college, I was introduced to the darkroom and could print my images. By this time I had a job and a car, and I spent most of my paychecks solely on fuel, film, and paper. I can’t tell you how many hours I spent in the darkroom. It was open on weekends and there were more than a few where I only came out to eat or use the restroom. The smell of the chemicals, the hum of the red light, the glow of the enlarger. So many great memories. A photographer was born.

In time I branched out and looked into digital, obtaining my first digital camera in 2010, a Sony A300. Suddenly I could see the image before I shot it. It was a monumental moment in my journey! I started capturing more than I ever had before. Taking photos before and after class, after work, and whenever I had free time. The art of film photography was not lost on me, however, and although I no longer had a 36-shot limit, I was still very conscious about the images I was taking and how I was approaching scenes.

What you see on my website is the culmination of thousands of hours of failing, learning, and trying again. My hope in sharing my work and experience as a photographer here and on social media platforms is simply this - To be the person I needed when I started my journey. I hope that in some way my work, story, and experience help you on your journey, too.

One of my first favorites!
Minolta Maxxum 400Si - T Max 400 B&W film.


The Gear

Some say that gear is not important. Let me tell you, it absolutely is. The caveat to this is that the gear needs to be the right gear - for you. What I use works for me, and serves me well. You may need something else, and that is ok! The point is that just because someone else shot a scene with a specific camera body or lens does not mean you will get the same results. Use what serves you best and fits your needs. Gear is important, it should serve you, not limit you. It should be an extension of your creative vision and each piece should serve that goal.

Camera Body - Landscapes

I use a Nikon Z8 as my main camera body. Previously a Z7ii which was an equally impressive camera. The Z8 fills the feature gaps between the Z7ii and D850 very well and has quickly become my all-time favorite camera. I find the button layout, features, and image quality exceptional, and have absolutely zero complaints!

Nikon Z8

Camera Body - Astro

When it comes to night skies, I use two cameras - one for the sky and one for the landscape. An H Alpha modified Nikon Z6ii and an unmodified Nikon Z6ii - Which doubles as my main camera backup. The H Alpha modification changes the camera entirely. If you are new to astrophotography, do not do this until you are sure you are ready to commit!

Nikon Z6ii H Alpha + Nikon Z6ii

The Trinity

When moving to the Nikon Z system I knew one thing with absolute certainty - I wanted the 2.8 trinity. I must admit it is overkill for landscapes, and honestly, if I did only landscapes I would have gone with the F4 trinity instead. However, I also shoot astrophotography so the 2.8 maximum aperture was essential. These lenses are truly the best of the best.

NIKKOR 14-24MM 2.8S | NIKKOR 24-70 2.8S | NIKKOR 70-200 2.8S

The Bazooka

One thing that I truly missed about my F-mount system was the Nikon 200-500mm lens. It was an absolute game changer for moon rises, distant shots, and general wildlife photography. When Nikon announced the 180-600mm I knew I needed to have that lens to complete my kit. This is used for many of my moon shots!

NIKKOR 180-600MM 5.6 - 6.3 VR

Astro Kit

Yes, I use different lenses for my astrophotography when possible. Yes, I also use the 2.8 trinity as noted above. My choice of lens depends entirely on the scene. When shooting wide-angle Milky Way scenes the 14-24mm is my go-to. For other scenes, I use one of the prime lenses that make up my astro kit. These include the 20mm, 35mm, 50mm, and 85mm f1.8 lenses.

NIKKOR 20MM 1.8S | 35MM 1.8S | 50MM 1.8S | 85MM 1.8S

Stability

I have used a lot of different tripod brands over the years, as I feel we all do to some degree. I finally ponied up the money for the best and purchased a Really Right Stuff TFC34L Mark II. Coupled with the BH-40, this has proven to be a phenomenal system that I fully trust. A great secondary option, and my backup tripod, is the FLM CP30 L4ii with the BH-40!

Really Right Stuff TFC 34L Mark ii + Really Right Stuff BH 40 LR

Filter Kit

I have used a lot of different filter brands in the last two decades. B&W, Hoya, NiSi, Lee, Kase, and currently, Maven. The magnetic filter system has proven to be well worth the price of entry and has replaced my tried and true Lee kit entirely. I currently use the full ND set, Show Glow set, Night Sky, and Bhatinov Mask filters in my kit. Impeccable image quality!

MAVEN Filter Set - 82MM

The Pack

There are many options for backpacks, and just like tripods, I have used quite a few of them. Of all that I have tried, Atlas has become my favorite. This is for a few reasons, but none more important than adaptability and comfort. I use The Atlas Athlete, which is adaptable to almost any hiking, day trekking, or backpacking scenario. Most importantly, it is comfortable!

Atlas Athlete

When it comes to gear there is one thing I can tell you, the same advice I received years ago - Don’t chase the gear, chase the experience. It is easy to get caught up with the latest and greatest and think you need to have something because your favorite photographer does. Let me tell you, you do not need it. Put that money toward a trip, use the gear you have. At some point, you will realize your current gear is the limiting factor. Then, and only then, should you upgrade. The reality is that 99% of the cameras available today can take phenomenal photos when used properly. The technology, for the moment, has plateaued. Use what you can afford, get out there, and enjoy the experience of using it in a location you love.


LANDSCAPE PHOTOGRAPHY OVERLANDING

Everyone knows that I love to be outdoors and in the wild. Sometimes getting to the places that I travel to takes a bit more gumption than simply parking and starting a hike. That is why I built my very own photography overlanding vehicle, Betty White! She is a 2014 Toyota 4Runner that has reliably gotten me to thousands of locations over the years. Of all the vehicles I have owned, she is certainly my favorite.

The idea of Betty was born in the mountains of Colorado in 2019. At the time I did not have trail capable vehicle and felt very limited in what I could actually do in Colorado, other than get decent gas mileage. I still remember eating breakfast in Basalt, Colorado one cold fall morning and talking to my late father about the truck I wanted to build, and the usefulness it would offer. He was excited to help me build it, and we began discussing what would make it the best offroad adventure vehicle possible for a photographer.

Sadly, he passed away before he could see the vision come to life. However, in his memory I built the truck exactly how we had discussed it. The way she sits today is the exact concept of what we chose to do that morning.

Build Details

BUILD SHEET

Dobinson’s IMS 3” Lift Kit

Dobinson’s Upper Control Arms

Total Chaos Expedition Series Lower Control Arms

RCI Full Skid Plates

KC Hi Lites 42” Rooftop Lightbar

KC Hi Lites 18” Grill Lightbar

Victory 4X4 Full Length Roof Rack

Falken AT4W Wildpeak Tires (285 70R 17)

ARB Differential Breather Kit

Overland Equipped Auxiliary Power Kit

THE STORY

The idea for the truck was simple - Build a mobile workstation that doubled as a mobile place to stay. I did not want setup or breakdown times, I wanted to be able to just get in and go at a moments notice.

I saw many builds that had so much to setup and breakdown to make actual use of the vehicle that it seemed almost counterintuitive. We decided against a rooftop tent and opted for storage instead, which has come in handy quite a few times. We had to have lights on the truck, where we go there is generally none. When you flip them all on, it is like daylights return.

The suspension kit was really the main point of concern, because if you are going to do it you absolutely have to do it right or you risk breaking things at really inopportune moments. Ultimately we settled on Dobinson’s due to their stellar reputation and impeccable quality. The lower control arms were swapped out as well for added protection on the trails. To compliment all of this, I chose the best tire for the job to make sure I could make it through anything, and tossed skid plates underneath the truck to ensure that it could sustain the perils of trail life.

This truck has gotten me to more places than I can tell you. It is by far a part of my kit, and something that I consider essential to my process as a photographer.